The tedious, long-drawn-out details of tea manufacture, of the repeated, meaningless, tossing back and forth and Chinese juggling with the abused tea leaves, are but too familiar to students of the subject: and too disappointing also, when we are moved to ask - Why all this manipulation? What is the nature of the chemical changes which take place?
So far as we can ascertain by diligent inquiry and reading, no competent authority has answered these questions satisfactorily. We have been deluged with generalities and opinions which contradict themselves, but when we search for a categorical answer to a simple question, experts hide under a shower of meaningless phrases. We, alas, are not an expert, nor a chemist, but just a simple enquirer in search of knowledge expressed in plain English. Therefore be patient dear reader with our endeavors to represent or interpret existing conditions of expert knowledge of tea manufacture at this time. Peradventure a feeble ray of light may illuminate the darkness of the subject. Corrections and additions will be welcomed in our future editions and credit given to their authors.
Teas may conveniently be divided into the three classes which have so long been recognized by the American tea trade, namely:
Green teas, the first remove from the green leaf.
Oolongs, delicate Black teas, having properties further developed than those of Green teas.
Souchongs, and Congous, both of which have been called " English Breakfast " teas by Americans, because the former teas were the customary breakfast beverages of the English people before the advent of Indian teas.
The smoky flavor sometimes apparent is owing to careless and extreme firing.
In making Green tea, the object seems to be to expel the watery juices of the leaf and to cure or dry it with the least delay. Hence, the leaves are not exposed to the sun, but are first dried in the air for a short time. They are next exposed to artificial heat, which renders them flaccid and pliable, and prepares them for the third operation of rolling, which twists the yielding leaf as seen in manufactured tea, rolls it up into balls, and squeezes out a considerable portion of its watery juices. It is a singular fact that in the Chinese methods, they endeavor to get rid of the exuding juices, while in the Indian treatment, according to Mr. crole, the manufacturing expert, effort is made to preserve the sappy juice, and it is continually taken up again by the balls of leaves. The balls are now broken apart, and the scattered leaves are submitted to the final drying process by fire, which finishes Green tea. In this case, it is plainly the heating treatment which develops the faint flavor and odor of Green tea, for no fermentation is allowed to begin, unless indeed brief and unobserved action takes place within the compressed balls.
In making an Oolong Black tea, which occupies an intermediate position between Green tea and Black Souchongs and Congous, the leaves are first exposed to the action of the air for a considerable time, and in many cases, to the sun also. An incipient fermentation may take place, although this is denied by some. There is certainly a chemical change beyond the brief preliminary drying of Green tea. During this period the leaves (in China) are stirred and tossed by the hands. The effect, if not the object, is to expose greater surfaces to the air, and to increase oxidation. It is during this operation that the leaves first begin to manifest characteristics of manufactured tea, in the way of a fragrant tea odor which the green leaf did not possess. The development of sweet odors in new hay, quite different from those of green grass, and also the artificial development of flavor in tobacco leaves, may be recalled in this connection. This prolonged exposure to the air is termed "withering," and the leaves become soft and flaccid, as they do in the first artificial heating for Green tea. In withering, the leaves lose about one quarter of their weight in moisture. The leaves must not be bruised before the termination of this treatment, or injurious chemical changes will begin.
The second operation with Black tea is the same rolling into balls, twisting and squeezing, as in Green tea. Mr. Crole says that the sap of the leaf thus liberated from its cells " is spread all over the surface of the rolled leaf, where it is in a very favorable position for the oxygen of the atmosphere to act upon it during the next stage of manufacture, namely, fermentation." Fermentation, he regards as an oxidation process mainly.
For the "fermentation" stage, if that controverted term correctly designates the process, the rolls are either left undisturbed to heat, or, as in Indian methods, the rolls are broken up, and the leaves distributed in drawers, with free access of air. In either case, a spontaneous heating follows, and chemical action is indicated by a change of color which reddens and darkens the leaf, and by the evolution of further pleasant "tea" odors. Some of the tannin is said to be converted into glucose.
Care must be taken, Mr. Crole says, to arrest fermentation at the proper stage by the first "firing," and this firing expels about half of the remaining moisture of the withered leaves, and probably develops an additional portion of those volatile oils which give fragrance and taste to manufactured tea; and which Mr. Crole designates by the name of "theol." Too high or too long continued firing drives off these oils with the watery juices. They are also wasted by exposure of manufactured tea to the atmosphere. Firing is sometimes divided into two or three stages.
In the above summary we have described all essential treatment of tea leaves necessary to produce manufactured tea.
To procure the extreme type of Black teas, a Souchong or Congou, the fermentation or oxidation, and the " cooking " process, is simply carried further, and with higher roasting, some of the volatile oils and delicate flavors are expelled, or are changed into other flavors. Judging by diminished effects upon tea drinkers, some of the volatile theine is also lost.
Both in China and Japan it is the custom to give large portions of the tea crop which are intended for export to foreign countries, only a preliminary drying or curing sufficient to preserve them temporarily. When they arrive at the shipping ports they are subjected to additional firing and thorough drying.
Tea Leaves, 1900, was written by Francis Leggett & Co.